Tonight’s outing was to St James Theatre Studio in Victoria to see a monologue play about Marilyn Monroe’s final hours. The play was written as if we were in Marilyn’s bedroom and she was talking to us. Incredible part and I take my hat off to the actress, Lizzie Wort, who ‘became’ Marilyn for the entire 1.5hrs. The set was cleverly put together from police and press photographs and then sourcing the (now) retro items and specific books and prints to make sure it was true to the story. Even the labels on the many pill bottles were correct to the many prescription drugs that Marilyn had at the time and even the prescribing Dr’s details written on them.
When I was in my early 20s I was a little obsessed by Frank Sinatra, Marilyn Monroe, Sammy Davis Jnr, Jackie O etc etc and read every biography and autobiography that I could get hold of. The intrigue, deceit and glamour of the age kept me reading and cross-referencing the stories. Rarely did the next corroborate the last. Clearly there was much more to what happened, when and by whom. Or was it simply that there was so much going on at the time that memories, dates, times and persons present were often ‘forgotten’. So attending this play was fascinating. It turns out the playwright had also started in a similar way reading, cross-referencing and asking questions.
The play was his interpretation of what may have happened in the last few hours of Marilyn’s life. It explained a lot but it also raised more questions. Cleverly delivered and an amazing performance by Lizzy Wort.
For me, I loved it. Perhaps only for those who have been captivated or truly intrigued by Marilyn Monroe.
Following the performance there was a Q&A with the playwright, Elton Townend Jones and Lizzie Wort. Fascinating to stay for this part and hear why he wrote the play and where he got the information upon which he based the script. We also discovered where the props were sourced, why the clock was set at that time and why there’s a the bad picture of a bust of Abraham Lincoln.
The play originally staged at Edinburgh Fringe Festival in 2013 and has been on tour since then.
★★★★★ ‘Superlative’ RemoteGoat
★★★★★ ‘Simply stunning’ Edinburgh Reporter
★★★★★ ’Spellbinding’ The Carrick
★★★★★ ‘Outstanding’ One4Review
★★★★ ‘Anything but unremarkable’ Three Weeks
★★★★ ‘Fantastic’ Broadway Baby