Tonight I snuck off to the Royal Festival Hall for a concert. I always feel a little naughty sneaking off to concerts on my own but delightfully happy to do so. I particularly love the Royal Festival Hall as the acoustics are fabulous, the interior decor amazingly retro and tickets are affordable.
The incredible London Philharmonic Orchestra were performing the Requiem with a twist and I wasn’t going to miss it.
Such a clever performance and not as standard as most music lovers would know. The conductor, Jurowski, bought together the London Philharmonic Orchestra, London Philharmonic Choir and Pamplona Choral Society to produce a spellbinding concert. The evening’s performance was with both Verdi’s Requiem and Stravinsky’s Requiem Canticles. A contrast in style, precision and drama. Where Verdi had written his Requiem from grief, Stravinsky had written his with an expression of calm detachment.
A powerful performance suited the Royal Festival Hall perfectly.
Exceptional. What a treat.
‘Jurowski drew from the musicians’ precise synchronisation for the Stravinsky, and realised Verdi’s quasi-operatic drama without ever indulging in mere theatricality.’
George Hall, The Guardian, 27 January 2015
‘… outstanding choral singing and orchestral playing [with] the splendid Orfeón Pamplonés [and] powerful singing of the London Philharmonic Choir. And rhythmic definition was razor-sharp, impetus highly charged, under Jurowski’s baton. […] Each tiny ritualistic section [of Stravinsky’s Requiem Canticles] was minutely sculpted by Jurowski into pungent fragments of sound and eloquent silence.’
Hilary Finch The Times 26 January 2015
‘Rather than let the [Verdi Requiem’s] Sanctus bound off like a race-horse, Jurowski settled on a slightly more relaxed speed that gave it substance and meaning, and the same approach to the big Libera me fugue paid off handsomely in terms of weight and clarity. This was very much an opera-conductor’s interpretation. […]
Peter Reed, Classical Source, 25 January 2015