Singing

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Our wonderful Rock Choir leader, Jim, is today running his first All-Singers Saturday Workshop.

Tickets have been on sale for a while although selling out speedily and are open to anyone to attend. As we arrived for registration this morning I was pleased to see that there was a healthy amount of Rock Choir people AND a good proportion of non-Rock Choir people. A range of ages and a plus for those of us in the Bass section, lots of men.

As you know from my previous posts I love singing. I’m quite sure I’m not good at it (don’t tell anyone) but I love being totally absorbed in music at rehearsals, learning how to harmonise, singing as a choir, performing locally as well as Wembley, O2 and Albert Hall… and of course recording at Abbey Road! I’ve said it before, the escape from reality for 1.5hrs every week whilst every cell concentrates on the music, interpretation, words, harmonies and sound is so energising.

Today’s workshop we are steering clear of Rock Choir’s ‘MagicFM’ playlist and learning some new songs. The first two from The Beatles – If I Fell and Because. The second pair from The Eagles – Peaceful Easy Feeling and Hotel California. A pleasant change and challenge to do something completely new to us.

I also loved having the music score. In Rock Choir we learn the voice parts by ear with only the lyrics to refer to. Reading music isn’t something that everyone can do and Jim took time to explain the differences between the notations on the score, what they meant and what they were called. I would like to think that this little insight into musical scores will give confidence to some of the singers to learn enough to read music.

It’s funny to think that when we used to jam mostly The Beatles songs with Howard Jones after school in Wycombe that I don’t recall either of The Beatles pieces.

The morning flew by with us learning all our parts for The Beatles songs. The arrangements have been slightly modified so that there were 3 parts – well done Jim for creating a new sound.

Exhausted already, we broke for lunch. Whilst we were out a five piece band arrived and set up their kit.

We were greeted after lunch with the sound of the band playing and warming up. Lovely to listen to. Then back to rehearsals. We returned to the two songs we’d learnt in the morning for some final tweaking. Then the Eagles pieces learnt.

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Mid-afternoon the band returned. What a treat to perform with a live band. We sang our way through our new repertoire, perfecting and redoing certain aspects with the band.

Considering we were there for only one day, learning 4 songs is quite an achievement. I wouldn’t say we were up to concert standard but we could, mostly, hold our own! Jim had also arranged for a recording to be made of each song. I’m hoping the sound engineer captured enough for a (very gifted) editor to piece together and produce some recordings that sound great. As soon as they’re available I shall add them into this post.

Our final joy of the day was an hour or so of an open sing-a-long with the band. Attendees were invited to sing solos with the band and perform to us. What incredible voices we have in the room.

I am truly hoping that Jim puts on more workshops. Clearly by the lack of a spare seat today they will sell out quickly so do follow Jim’s progress on his website, twitter @JamesHawkinsMus or on Facebook.

Pilobolus – Shadowland at Sadlers Wells

In May last year I organised tickets to see shows at Sadlers Wells.  One pair of tickets was to see the Pilobolus – Shadowland. Shadowland was the first show of its kind to combine shadow theatre with dance, and has since inspired many similar productions around the world.  Including a production that entered Britains Got Talent…. a show I’ve failed to see!

So when people were telling me in June about this incredible audition on Britains Got Talent where the shadows of dancers tell a story, I was feeling smug.  I’d already got tickets.  When they then went on to win Britains Got Talent I was over the moon.  Here’s the final on YouTube.

I was delighted that Abi, one of my best friend’s daughter, was allowed to come out and play on a school night.  I just love her company and love being able to treat her once in a while.  I picked Abi up after school, a quick change at home and then drove into town.  We managed to find a parking space behind the theatre in Holborn easily and put a few pounds in the meter.  Thank heavens I had a few pounds in the car as I realised I’d left my purse at home!   Not great but thank heavens we were joining some friends for a pre-show dinner.  Fortunately my friend was able to pick up our supper bill and I can pay him back tomorrow.

We went to 32 Great Queen Street for dinner.  What an incredible menu with quite a few adventurous foods.  Not the fastest of service but the food was worth waiting for.

A quick walk over to the Peacock Theatre for the show.   Wow, what a show!

90 minutes of incredible, active, clever, creative, spellbinding dance. Abi and I sat, mouths open, watching the story unfold.  Using screens and careful lighting, the dancers were able to tell a story in front of the screen and then behind screens in shadows.  The precision of the shadow-work was inspiring.  How some of the shapes were created, recreated, changed and moved behind the screen was seamless.

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I can’t recommend the show enough.  As I drove Abi home after the show, we were chatted incessantly about the pieces of the show that we’d loved.  This then triggered ‘oooh what about the bit when….’ moments.  Truly amazing.

Metro’s review
Guardian’s review

 

Darren Black

Talk about a day of two halves!  Straight after the Bob Chilcott Workshop ended I headed out to Winchester to a launch gig for Darren Black’s new Album “Rise Above the Mumblings”.

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Darren’s genre of music is folk however with a spirit and poetry edge.  I’ve known Darren for over 10 years and have seen his music evolve in that time.  As part of other bands and perhaps a more commercial sound in his earlier work but now with a confidence to expand his own work in his solo career.

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The venue was packed and it was wonderful to see so much support for his work.

There are a few sound clips on Darren’s website, so please do have a listen (and purchase the album too!).

Personally, it was also such a pleasure to catch up with many old friends who I’d not seen in a long while.  Sometimes ‘life’ gets in the way of meeting up more often but I’m always so reminded of great friendships when we do.

Bob Chilcott Workshop in Teddington

Those of you who’ve been reading my blog for a while will know that I attended a Bob Chilcott workshop in Kingston last year… and loved it.

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Clearly, one of the other attendees of the Kingston workshop, Anne, was also super excited about the event.  She was so excited she encouraged her church in Teddington to host Bob Chilcott for another workshop today. I was, again, very excited to receive an invitation to attend.  However was then disappointed that despite my eagerness to return my application and cheque, I was beaten by others to attend and I was put on the waiting list for tickets. However ‘Postive-Spin Wallace’ put it in her diary anyway and waited for a call to say that I’d been moved off the reserve bench and had a ticket… a few weeks ago the call came and today was the day of the Workshop.

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I’m sure there are some reading this that don’t sing and perhaps think I’m a dullard to do so. Truly I was in your camp not that many years ago and used to wonder what Mum got out of the choirs she was a member of. I joined the Rock Choir for many reasons but one reason was so that for an hour and a half each week all I thought about, was singing. It truly lifted my spirits in doing so. I met a new group of enthusiastic people who laughed – a lot. People who appeared (at least for 1.5 hours) to be carefree and this rubbed off on me. ‘Carefree’ is a feeling that I lost when I was diagnosed with an unsure rare cancer. I hadn’t realised that I missed it nor that everything I did, thought or felt appears now to be planned, considered or reserved. So to be ‘carefree’ again has been a joy.

At Rock Choir we learn songs with only the lyric sheets. No music. We learn by ear and eventually without any lyric sheets too. At first I found it hard to not see and read the music but realise that this makes it ‘all inclusive’ and that noone is disadvantaged if they don’t read music. The music choices are contemporary – such as Adele, Beegees, Olly Murs, Amy Winehouse etc.

I signed up for the first Bob Chilcott workshop in Kingston as I wanted to challenge myself further. Learn to sing reading music. More choral and classical pieces and demanding a more precise method of singing with more vocal parts in the choir.

Today’s workshop once again challenged but was sooo enjoyable. During the day we learnt the following pieces:

Five days that changed the world (3 movements) – The Invention of Printing; The Abolition of Slavery; The First Powered Flight.  (Sung here at in Worcester for the first time in 2013 –
Chilcott Anthems – God so loved the World; Be Thou my Vision
Chilcott Requiem – Thou Knowest Lord.

The workshop attendees were once again a wonderful mixture of people from different choirs, choral societies and Rock Choir. It was lovely to have so many men singing in the bass and tenor sections. As always, I enjoyed speaking to lots of new people and discussing how we each worked with our choirs to learn new songs. Listening to people talk animatedly about their choirs. What they enjoyed about being part of a choir. I was also surprised to hear from a couple of people that they were envious of our singing without music as they felt that it was really difficult to then sing without the score. Whereas I said that I’d love to see the musical score and to be able to learn or re-learn the back catalogue of Rock Choir songs from the music score. There is probably a happy medium for us all!

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Although we learnt so many pieces during the one day – OK perhaps there was a lot of finessing that was still required (!) – I was once again encouraged by Bob Chilcott’s teaching style. YouTube clip.  He has the ability to encourage everyone to sing. To hear where there can be improvements or tweaks required. He tells us why he wrote the piece that particular way, the inspiration behind it and who’s previously sung it. We are then able to understand further what we are singing and, I hope, interpret the emotion through our collective voices. There are lots of laughs throughout the day too.

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At the end of our day’s Workshop we headed over to the Church to put on a short concert of the pieces we had learnt to anyone who had turned up…mostly family and friends. Here’s a YouTube clip of us performing one of the pieces.  I’m quite impressed!

If you’re encouraged to attend a workshop or perhaps to listen to Bob Chilcott in concert, keep an eye on his website for opportunities.

Fascinating Aida

We’ve just got in from seeing Fascinating Aida perform at the Queen Elizabeth Hall, Southbank.  What a scream.  Laugh out loud (or for you young ones LOL) humour.  Blinking brilliant.

You may have heard of them from their YouTube clip ‘Cheap Flights for 50p‘ which went viral on social media and I often see posted again and again.

The whole show consisted of similar short sketches.  Each one of them topical, edgy, funny and more than often a little rude!  I particularly loved that some of their ‘ditties’ said exactly what I’d love to say but never have as I thought it may offend!  The audience was made up of all age groups and both sexes in pretty equal proportion.  I did worry a little when they performed ‘Dogging’  but as they were quick to point out if you’ve bought a ticket to see them you probably know what dogging is!

Oh and remember what OFSTED stands for – Overpaid Fuckers Shafting Teachers Every Day.

I was very grateful for the intermission though as my cheeks hurt from laughing so much.

They’re on tour for a few more months, so if you can get to see them DO IT!  You’ll love it.

If you can’t get to see them live, then do take a  minute to look through their clips on YouTube.  It’ll lift your day!

Enjoy x

The Artist at the Royal Albert Hall

I didn’t manage to get to the cinema when the Artist was showing.  I heard all the hype about how fabulous it was and felt that I should have seen it.  Then when it cleaned the floor with a squillion film awards I knew I’d missed out.

However I did wonder why.  I mean we had black and white silent movies many years ago and they lost out to the newer ‘talkies’.  I considered getting the DVD at home to watch but was urged that it wouldn’t be the same on a small screen.  So I did nothing… well until I spotted that the Royal Albert Hall were showing the film with the score live from the London Symphony Orchestra!

IMG_4333Well that’d be a big enough screen, right?

IMG_4334Tonight we took our perfectly located seats in the circle, dead centre to the big screen and awaited the orchestra’s arrival.  The orchestra arrived and tuned up.  Much celebration from us all when the pianist and conductor came out.  Then the credits rolled and the music started.

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Incredible film.  Cleverly reminded us how actors don’t actually need words to communicate a story.  For some parts there were subtitles and others we lipread.  There were points when I didn’t know what was being said but it didn’t matter as the actors expressions and gestures told us what they meant.

The sensory aspect of the evening was by watching a film without words.  The music being played beautifully from an orchestra below the big screen.  Then to really confuse us, there was a couple of points when the silent movie became a ‘talkie’ – it managed it.  It actually seemed odd to hear words being uttered by the actors!

So very pleased I’ve now seen The Artist.  So very much more pleased that I’ve seen it with a live orchestra in such an incredible setting.

Reviews:
Entertainment Focus
Classical-Music

Insights Event at Royal Opera House – Parsifal

At the recent Vintage Afternoon Tea in aid of Penny Brohn Cancer Centre I was fortunate enough to receive through their ‘balloon’ prizes, two tickets to an Insights event at the Royal Opera House.

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I’ll confess that although I’ve been lucky enough to have been to the Opera House to see a number of opera and ballet performances, I’d never heard of ‘Insights Events‘.  I didn’t really know what these were, nor what to expect from the evening.  However whenever I’ve been brave enough to mention them to anyone ‘in the know’ there has been a sharp intake of breath, comments about the tickets being like gold-dust and much excitement.  I knew then that I’d be in for a treat.  Now I know that perhaps these events are kept a little hidden so that only those special people can get to go!  I’ll be back for more, if I can get tickets.

So what is an Insights Event?  In essence it’s a lecture about an upcoming performance.  Gosh that sentence makes it sound so dull and you’ve probably switched off.  It’s true it’s a lecture but what it is in addition, is an event that brings the music, story, stage and history to life.  Much like an opera, we were drawn in and left longing for more.

This evening was presented by Sara Mohr-Pietsch and following a brief but excited introduction, Antonio Pappano (Conductor) and Mark Packwood (Chief Répétiteur and, for this evening, pianist) stepped onto the stage of the Linbury Studio.

Antonio passionately talked about Wagner, a little of where he was and what he intended in writing this opera.  They played excerpts of the music.  Joined for parts by Gerald Finley and Simon O’Neill who play Amfortas and Parsifal respectively.  Antonio translated key phrases.  Unwrapped the storyline.  Drew us into the story and music.  We were, literally, on the edge of our seats and wishing he’d continue and we could see the whole performance right now!  What an incredibly inspirational conductor.

Of course he ran over on time but I’m quite sure that the audience would have kept him there all night!

Following his musical insight, we were then introduced to Sarah Lenton, a lecturer and historian.  Sarah spent her time talking about Wagner, the time the opera was written, the accuracies and also inaccuracies of the story.  Comparisons from Parsifal story to religious stories.  How it can be a spiritual piece that refers to the crucifixion and indeed Wagner said he had written it on Good Friday (his wife’s diaries tell us otherwise!).  Fascinating.

The final piece of the evening was presented by Stephen Langridge (Director) and Alison Chitty (Designs).  In discussion with Sara, they told us of the inspiration and development of the set design, costumes and lighting.  Incredible to think that the process has taken nearly 2 years in the making from the first ideas about how the performance should be set.  We were also treated to a short series of photographs of their ‘workings’ of the set as it evolved.

A brilliant evening and one that I shall repeat, if I can purchase a gold-dust ticket!  However I’m feeling a little lost in that I now want to see the production but the few remaining tickets are, sadly, rather more than my budget can stretch to at the moment.

I would heartily recommend attending these Insights Events.  An incredible way to understanding more about the composer, the opera/ballet, the music, the movements, costumes, voices… the compiling and production of the performance the lucky audience are fortunate enough to see it.

IMG_4157Oh and if you arrive a little early for any production, do pop up to the bar… incredible space!

Grand Opera Gala

The Royal Philharmonic Orchestra have done it again.  An incredible programme of opera classics performed with such panache and professionalism.

IMG_4120This afternoon’s concert took place at the Royal Albert Hall to what appeared to be a ‘sold-out’ auditorium.  You could hear a pin drop for some of the pieces and at other times see a sea of tapping fingers and toes from an audience drawn in by the spectacle on stage.  Such a well chosen selection of operatic greats.  An appeal to a ‘newbie’ opera experimentalist and also an opera aficionado alike.

IMG_4122 Opening with a well known piece from Barber of Seville to the slightly less well known The Pearl Fishers.

The short stories of passion, love and heartbreak  told so beautifully by Rossini, Puccini, Verdi and Bizet.

The opera singers were mesmeric and held the audience with their every note.  The Choir were also spendid – I’d love to be able to sing like that.  The fabulous Philharmonic orchestra once again excelled with every accent on every note.

Thank you all for a truly wonderful afternoon performance.

Royal Philharmonic Orchestra
Renato Balsodonna – Conductor
Hye-Youn Lee – Soprano
Gardar Thor Cortes – Tenor
Stephen Gadd – Baritone
Barts Choir

Singing at Wembley Stadium

I’m still pinching myself.  How mad is it that I started singing with the Rock Choir a year ago and since then have sung at the O2, recorded at Abbey Road and now sung at Wembley Stadium?  What a hoot!

5,000 Rock Choir members were seated in the front few rows at Wembley Stadium.  We were grouped according to our vocal parts.  Before the game started our Rock Choir leaders took their positions facing us and signalled to remove our outer layers, thereby revealing us all in Rock Choir t-shirts.

We opened the evening’s entertainment with our Rock Choir rendition of ‘You’re the Voice’.  Then everyone joined in to sing Saracen’s anthem ‘Do you hear the people sing’ (a tailored version of the song from Les Miserables.

Then to see the first half of the Heineken Cup rugby match between Saracens and Toulouse.

At half time we performed ‘Living on a Prayer’.  The Vamps were also performing in the half-time break… but I think I’m a little old!

The second half of the rugby game was much faster and exciting.  Sadly (for Saracens) they lost by just one point.

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I understand from those people that were watching the game on Sky that we sounded fabulous!   Our Rock Choir ‘Ring of Choir’ worked!

Loved the experience.  So much fun.

Cirque Eloize

Extraordinary show.  Incredible, energetic, fast-paced, edge of your seat, breathless, jaw-droppingly A-mazing!  In the words of my theatre companion – “Can’t believe what I just saw. Cirque de Soleil meets Parcour, with a liberal seasoning of hip hop urban swag. I totally, totally recommend this. GO AND SEE IT!!

Cirque Eloize

The athleticism, skill, dance and gymnastics of all but particularly the flexibility of the contortionist; muscular strength of the participants that ribbon danced or managed to ‘walk’ their legs a 360* up and over whilst suspended from a pole; the timing and skill required to trampoline onto, over, through people, spaces and from height; the strength and control involved whilst manoevering a bike through obstacles and then jumping on one wheel over objects and up stairways; juggling vertically, horizontally, bouncing of walls and using not 3 or 4 or 5 of 6 or 7 or 8 but 9 balls at a time!    OMG!  OMG!  OMG!

At one point during the production I looked down our audience row.. to see a whole lot of gaping mouths as their jaws, quite literally, had dropped!

Not sure where their tour will take them but if they’re anywhere near you… GO!!

Cirque Eloize’s website
Sadler’s Wells in London – tickets
Telegraph Review
Guardian Review